aesthetics of pianoforte-playing.

  • 328 Pages
  • 0.26 MB
  • 369 Downloads
  • English
by
Da Capo Press , New York
Piano music -- Interpretation (Phrasing, dynamics,
StatementTranslated by Theodore Baker.
SeriesDa Capo Press music reprint series
Classifications
LC ClassificationsMT235 .K842 1972
The Physical Object
Paginationvii, 328 p.
ID Numbers
Open LibraryOL5684892M
ISBN 100306710951
LC Control Number69016652

The Aesthetics Of Pianoforte Playing by Adolph Kullak (Author), Hans Bischoff (Editor), Theodore Baker (Translator) & ISBN ISBN X. Why is ISBN important. ISBN. This bar-code number lets you verify that you're getting exactly the right version or edition of a book. The digit and digit formats both by: 6.

The Aesthetics of Pianoforte Playing by Adolph Kullak,available at Book Depository with free delivery worldwide. The Aesthetics of Pianoforte Playing: Adolph Kullak: Aesthetics of pianoforte-playing. book use cookies to give you the best possible experience. Additional Physical Format: Online version: Kullak, Adolf, Æsthetics of pianoforte-playing.

Aesthetics of pianoforte-playing. book York, G. Schirmer [] (OCoLC) The æsthetics of pianoforte-playing, by Dr. Adolph Kullak. Translated by Dr. Baker from the 3d German ed., revised and edited by Dr.

Hans Bischoff. Additional Physical Format: Online version: Kullak, Adolf, Aesthetics of pianoforte-playing. New York, Da Capo Press, [©] (OCoLC) The Art of pianoforte playing Alt ernative. Title Composer Pauer, Ernst: I-Catalogue Number I-Cat.

None [force assignment] First Pub lication. Composer Time Period Comp. Period: Romantic: Piece Style Romantic: Instrumentation Book. Basic Principles in Pianoforte Playing book.

Read 12 reviews from the world's largest community for readers. This little book, written at the height of h /5(12). This little book, written at the height of his career by Josef Lhevinne, the "inward poet of the piano," is a clear statement of principles based on his lifelong experience in performance and teaching.

Lhevinne was, with Rachmaninoff, Schnabel, and Hoffman, one of the great modern masters, and was the first artist invited to teach at the newly formed Julliard Graduate School of Music.

An illustration of an open book. Books. An illustration of two cells of a film strip. Video. An illustration of an audio speaker. Audio. An illustration of a " floppy disk.

The principles of expression in pianoforte playing Item Preview remove-circle Share or Embed This Item. A history of pianoforte-playing and pianoforte-literature Item Preview remove-circle Book digitized by Google from the library of Harvard University and uploaded to the Internet Archive by user tpb.

"[XVIII] clavier compositions of the sixteenth, seventeenth, and eighteenth centuries": p. consists solely of an act of Touch,—an act of Tone-production.

All the gradations of Agility (fieetness of finger), Duration (staccato and legato), as well as all the contrasts of Tone-in­flection depend solely and directly on the nature of this act; and it is therefore upon our expertness in the Art of Touch that the whole superstructure of Pianoforte-playing rests.

The Aesthetics of Pianoforte-Playing Kullak, Adolph; Baker, Theodor [translated by]; Bischoff, Hans, Dr. [revised and edited from 3rd German edition by] Published by G. Schirmer, New York (). A history of pianoforte-playing and pianoforte-literature From the 2d augm. and rev. German ed., by Dr.

Baker. This edition published in by G. Shirmer in New York. There is a preparatory book, four lesson books, and a mini book with A Dozen A Day. It is recommended to do a few of these exercises before a piano lesson with a teacher.

The teacher can view how the student approaches these exercises, and help them build technique by correcting them on these. Basic Principles in Pianoforte Playing [Dover Books on Music], Josef Lhevinne.

Basic Principles in Pianoforte Playing [Dover Books on Music], Josef Lhevinne Product Details:Used - Acceptable This book has light wear throughout and makes a perfect reading copy.

but may have aesthetic issues such as small tears, bends, scratches, and scuffs. Discover Book Depository's huge selection of Adolph Kullak books online. Free delivery worldwide on over 20 million titles. The First Principles Of Pianoforte Playing An online tutorial Designed For School Use, And self learners, Including Two New Chapters Directions For Learners And Advice To Teachers and as a Text-book for Examinations.

It is intended as an Introduction to the subject. The supreme importance of early training in this subject— the mechanism. of pianoforte playing." Three treatises in particular, those by Hans Schmitt (), Aleksandr Nikitich Bukhovtsev (), and Adolph Christiani (c.

), each promote melodic projection, transparency of sonority, and clear hierarchization of the texture through dynamic layering as. The Aesthetics of Pianoforte-Playing (translated from the third German edition; New York: G. Schirmer, ), by Adolf Kullak, ed. by Hans Bischoff, trans.

by Theodore Baker (page images at HathiTrust) Filed under: Musical intervals and scales. Full title: 'Dussek's instructions on the art of playing the pianoforte or harpsichord: being a compleat treatise of the first rudiments of music & containing general & exemplified rules & principles on the art of fingering, making the compleatest work ever offered to the public: to which are added op.

32 expressly composed by Ignace Pleyel, six progressive sonatinas wth. violin accompt. Among his writings is The Aesthetics of Pianoforte Playing (Die Ästhetik des Klavierspiels) (/), which covers piano technique and musical expression and “ was arguably the most widely read and influential book on piano teaching and playing of the nineteenth century ” [ 2 ].

Adolph Kullak is the author of Die Aesthetik Des Klavierspiels ( avg rating, 0 ratings, 0 reviews, published ), The Aesthetics of Pianoforte Playi. You can write a book review and share your experiences.

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Other readers will always be interested in your opinion of the books you've read. Whether you've loved the book or not, if you give your honest and detailed thoughts then people will find new books that are right for them., Free ebooks since The Aesthetics of Textural Ambiguity: Brahms and the Changing Piano.

By Arnone, Augustus several treatises appeared elucidating the fundamental principles of what they proclaimed to be the "modern school of pianoforte playing." Three treatises in particular, those by Hans Schmitt (), Aleksandr Nikitich Bukhovtsev (), and Adolph.

This book has been cited by the following publications. This list is generated based on data provided by CrossRef.

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Rodriguez, Hugo Rewriting Mazeppa: Kullak, Adolph, The Aesthetics of Pianoforte-Playing (New York, ; based on the 3rd edn, ).

The book explores the romance and grandeur of the piano maker. Carhart encounters some of the best the piano world has to offer: Pleyel, Fazioli, Steinway and Busendorfer.

My Young Years and My Many Years by Arthur Rubinstein.

Description aesthetics of pianoforte-playing. FB2

These two books encompass one of the best autobiographies of a 20th century pianist. The two volumes span nearly The aesthetics of pianoforte-playing / Translated by Theodore Baker. -- MT K The art of piano playing / [by] Heinrich Neuhaus.

Translated by K.A. Leibovitch. -- MT N The jazz piano book / by Mark Levine. MT L46 Developing the left. With a New Foreword by Rosina Lhevinne. By Josef Lhevinne. Piano Book. Great modern teacher and pianist's concise statement of principles, technique and related material.

48 pgs. The Aesthetics of Pianoforte-playing by Adolph Kullak. MT K98, Very old book with some historical value. It would be interesting to compare concepts of playing found in this book with today’s standards.

Topics include: • “History of Clavier Virtuosity” • “On Technique” • “Rhythm”. Hans Bischoff (17 February in Berlin – 12 June in Niederschönhausen) was a German pianist most noted for his edition of Johann Sebastian Bach's keyboard works.

He studied with Theodor Kullak in Berlin. He taught piano and theory at Kullak's Neue Akademie der Tonkunst. He also taught at the Stern Conservatory. He was active as a concert pianist. The book affords a splendid panorama of the impressive output of chansons, frottole, motets, masses, and lute tabulatures of the adapted to pianoforte playing by Clementi, Cramer, Hummel, and Czerny.

Part Two technical and aesthetic precepts of the music of the mid-eighteenth century" is at the same time true and misleading. Its im.Online shopping for Books from a great selection of Music, Photography & Video, Performing Arts, Architecture, History & Criticism, Drawing & more at everyday low prices.

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